Towards An Alternative History Of Graphic Design: Schmuck, POP, bRIAN, Assembling

This exhibition sets out a new way of looking at graphic design history by focusing on four publications from the late-1960s to mid-1970s - Schmuck, POP, bRIAN and Assembling - designed by individuals and groups without any formal training of typography, graphic design or print production.

Technological developments at the end of the 1960s enabled artists to combine text and images and publish their own material. Artists were now in control of content and the form of a publication could be explored, creating a new energy and enthusiasm for print.