Peter Defty: The Outlaw Project

Over 40 large, intense, monochrome portraits that have been captured using a reconstructed, 1920’s document camera. The effect of large (14”x17”) negatives and a razor-thin depth of field proves both illuminating and unsettling. Part of Peter Defty’s exploration into the ‘6 degrees of separation’ paradigm, the images are displayed here without comment following an ‘intervention’ at Dean Clough in May.