Surface Area Dance Theatre

'The Mud Formed A Finger, Pointed' offers a study of the human body as an uncanny object that oscillates between figuration and abstraction, body and material, depicting an object becoming human, a human becoming an object and the protean states between.

'Raft' explores inner and outer landscapes, through a Nicole's choreographed mapping and navigation of the solar system and the self performed on a sculptural Zodiac stage. Presenting a dialogue between the microcosm and the macrocosm, mapping the relationships between distant stars, the present individual and the planets, in an exploration and interogation of the esoteric and exoteric aspects of self.

By Matthew De Kersaint Graudeau, Ben Jeans Houghton and Nicole Vivien Watson.