Evelyn Glennie
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Peter Maxwell Davies An Orkney Wedding, with Sunrise
James MacMillan Veni, Veni, Emmanuel
Rimsky-Korsakov Scheherazade Op. 35
Evelyn Glennie percussion
Geoffrey Paterson conductor
Dame Evelyn Glennie joins Brighton Philharmonic for a dazzling programme, from the Scottish Highlands to fairy tales from Arabia.
We’re thrilled that one of Britain’s greatest and pioneering musicians, the extraordinary percussionist Evelyn Glennie, will be joining us to perform one of her signature pieces: James MacMillan’s Veni, Veni, Emmanuel, written as a tribute to her virtuosic flair and charismatic personality. Taking the Advent plainsong as the basis of the work, this is a tour de force and still packs the punch it had at its BBC Proms premiere twenty years ago. Now in the pantheon of contemporary classics, it still sounds wonderfully imaginative, rhythmically impulsive and vibrantly colourful, and will be an unforgettable experience.
The young conductor Geoffrey Paterson takes the helm once more after his debut with the BPO last season, starting with Peter Maxwell Davies’ ebullient An Orkney Wedding, with Sunrise, replete with shouts of glee and a bagpiper. After the interval, the ravishingly beautiful Scheherazade tells the story of A Thousand and One Nights in Rimsky-Korsakov’s most popular and glittering score.
Grammy award-winner Evelyn Glennie is the most in-demand solo percussionist in the world. She is the first person to have created and sustained a full-time career as a solo percussionist in the history of classical music, and she gives more than 100 performances a year to universal critical acclaim. Evelyn has performed with virtually all the world's finest orchestras and greatest conductors in the most prestigious concert halls. Superb technical ability and a profound appreciation of the visual elements of percussion take her into the ranks of the elite, and an opportunity to see her perform should not be missed.
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'Whatever the source of the orchestra's spirit, I wish I could bottle it up and send a crate to some of the London based orchestras' (The Times).
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